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[22:33, 26.01.2010]

Atoms Are Not Bits; Wired Is Not A Business Magazine [Chris Anderson]


Chris Anderson has an important message from the future: Did you know you can outsource manufacturing?

In the cover story of the latest issue of WIRED, Editor-in-Chief Chris Anderson makes a claim that at first, soaked as we are in the "maker" DIY culture of the internet and science fiction, doesn't seem completely preposterous: "micro-factories" are the "future of American manufacturing"—as the title proclaims, "Atoms Are the New Bits."

The problem is that they so aren't. Atoms are real, finite things. Until 3D printers can do more than squirt out mono-material resin sculptures—inevitable, perhaps, but not within the next decade—even the at-home revolution that Anderson puts up as an example of a new way of manufacturing consumer goods isn't actually new at all. Until that glorious day, Anderson suggests American enthusiast makers outsource the dirty work to China.

"Today, micro-factories make everything from cars to bike components to bespoke furniture in any design you can imagine," claims Anderson.

We used to call "micro-factories" "small businesses", but that was before we knew they were a revolution.

It's painful for me to point this out, because many of the people involved in this so-called "revolution" are my friends. They're smart people doing admirable, clever things. But at best they're changing the way hobbyist and boutique manufacturing works. The future of mainstream industry remains about the same as it's been for the last thirty years.

Reinventing Wheels

Let us fisk. Anderson's opening example is Local Motors, a shop which is building a $50k "crowdsourced" car with a Creative Commons-licensed design:

The Rally Fighter's body was designed by Local Motors' community of volunteers and puts the lie to the notion that you can't create anything good by committee (so long as the community is well managed, well led, and well equipped with tools like 3-D design software and photorealistic rendering technology). The result is a car that puts Detroit to shame.

I think the Rally Fighter is nifty, but get real: It's not all that different that designs from major manufacturers. Moreover, you'll find in the very next paragraph that the design sprung first from the mind of a single person, a design student named Sangho Kim.

So great. There's a car company building a kit car that uses a BMW crate engine. You can download their plans—but not their parts—for free. They plan on selling a couple thousand.

So what?

There are dozens of kit car manufacturers in the United States. Add in the custom car companies like Devon or coach builders like Sportsmobile and you're up into the hundreds.

It's very neat that they designed their car with input from others online. But until I can go down to the local Local Motors dealer and test drive one for myself, you can hardly call it a revolution. Open source is a nice way for information to disseminate, to make a project better; its addition does not guarantee a revolutionary—or even successful—business model.

Why Pay Licensing Fees?

Everyone knows about Brickarms, right? They make weapons for the Lego men that Lego themselves won't make. They're a fun little thing for hardcore Lego fans who want their minifigs to wield Uzis or grenades.

Anderson offers Brickarms up as an example of...something. Perhaps of inexpensive prototyping? Brickarms' owner, Will Chapman, models his weapons at home on his computer, makes his own simple molds using a cheap CNC router, and then hand-presses the Lego weapons to sell online.

If you go to Brickarms website right now, you'll see that they've stopped taking orders so they can "catch up" on manufacturing. The future of business, apparently, is not having enough supply to meet your demand.

Please also note that in Anderson's companion video for his piece, he singles out Brickarms' unofficial Halo gear as an example of something that the market has asked for but Lego and Microsoft have not provided. But when introducing Local Motors earlier in the piece, Anderson notes, "One problem with the kit-car business...is that the vehicles are typically modeled after famous racing and sports cars, making lawsuits and license fees a constant burden."

Guess when worrying about licensing fees is unnecessary? When your business is too small to make big money.

China Is Not A Robot

There are several other vaguely supportive examples in Anderson's piece, but the one I find most grating is DIY Drones, Anderson's own company which sells inexpensive kits from which you can build your own UAVs. It's a fine little company with a fine little project, but to hear Anderson talk about it he's stumbled on an entirely novel way to run a business, when in fact he's simply experiencing what it is like to run a business in the modern era.

Here's how DIY Drones makes their kits:

1. Anderson hires a "21-year-old high school graduate from Mexico" to help him create a design.
2. They send their design to a Colorado company, Sparkfun.
3. Sparkfun sends the design to China, where elfin robots make "millions of them using automated etching, drilling, and cutting machines."
4. "That's it."

Except it's not. Those PCBs are made by human beings in factories. Factories that are at the best of times less than cushy, populated by workers without a union.

To marvel that you can convince a Chinese company to make a small batch of electronics for you? In many cases, that's when conditions are worst. Try to get something that is more than a greenboard made and you're back to standard manufacturing issues like making dies for stamping parts. Why? Because real 3D printers don't exist yet.

Using the web to communicate with Chinese factories is an improvement...over the fax machine. But the real revolution is that it only costs a few bucks to ship a part from Shenzen to Sunnyvale. You want to talk revolution? Thank FedEx.

There Is No "Virtual Manufacturing"

Here's Anderson's penultimate paragraph, right before his Wired-by-numbers "Welcome to the next Industrial Revolution" kicker:

How big can these small enterprises get? Most of the companies I've described sell thousands of units - 10,000 is considered a breakout success. But one that has graduated to the big leagues is Aliph, which makes the Jawbone noise-canceling wireless headsets. Aliph was founded in 1999 by two Stanford graduates, Alex Asseily and Hosain Rahman, and it now sells millions of headsets each year. But it has no factories. It outsources all of its production. And though more than a thousand people help to create Jawbone headsets, Aliph has just over 80 employees. Everyone else works for its production partners. It's the ultimate virtual manufacturing company: Aliph makes bits and its partners make atoms, and together they can take on Sony.

Here is the key deception: a line drawn between hobbyists making a few items for sale, and western design outfits that work essentially as branding consultants for Chinese conglomerates.

Just because an entrepreneur can turn the former into the latter with more convenience than ever before doesn't make it novel. It certainly doesn't make it moral. And it damn well doesn't make it good for business.

It's great that hobbyists can make ever more complex items, sell them on the internet, and have a small business. But the same process used by Aliph to manufacturer Bluetooth headsets (and bear in mind it takes 80 people just to coordinate this!) is exactly the same outsourcing process used by Apple to make iPhones.

But the difference between an Apple or a Sony versus a Brickarms or a Local Motors is vast, both in ancillary services offered like warrantees or technical support, to the only metric by which any industrial revolution can be measured: profit.

Atoms are not bits. Bits are unlimited resources. Atoms, as the fundamental, literal elements on which a market of scarcity is based, are not.





User: Unnamed  Source: Gizmodo
[22:31, 26.01.2010]

Oh God, Please Turn Off the Apple Tablet Coverage (Here's How) [Psa]


Already sick of hearing about the Apple tablet? Just click here to view Gizmodo, Apple tablet free. Here's how it works.


We tag posts with keywords (see the illustration), so anything you DON'T want to read about, just whip up a URL it like this, sticking in the tag for the thing you don't want to see: http://gizmodo.com/tag/not:THINGYOUHATE/

That works for everything from Apple to Xbox to NSFW, and you can even use it as RSS feed.





User: Unnamed  Source: Gizmodo
[22:20, 26.01.2010]

I'm Honestly a Little Frightened by the Hydrophobia Flash 70-200 [Photography]


The Hydrophobia Flash 70-200 appears to be such a powerful dSLR rain jacket that, not only will it repel rain, but it may even extort the clouds so they don't dare spill a drop in the first place.

Accommodating dSLRs with both hot shoe flash rigs and lenses up to 70-200mm, the $145 Hydrophobia Flash 70-200 is sheer evil, housing a heart as dark as the Earth's deepest cave while providing two arm holes to beckon you inside. Once there, clear LCD and flash windows taunt you with the world outside. But you are trapped. Dry, sure, but trapped all the same. [think tank photo via Gadget Lab via OhGizmo!]





User: Unnamed  Source: Gizmodo
[22:03, 26.01.2010]

How the Apple Tablet Interface Could (And Should) Work [Apple Tablet]


These Apple Tablet photos and videos can't lay claim to authenticity; they were sent to us by a reader, who apparently rendered them over the past few months. But they can lay claim to being absolutely spectacular.

The renders were sent by reader Lex Lareo in response to our Tablet Sutra post, where we asked the most essential question about the whateveritis that we're expecting to meet tomorrow: How do you hold it? This reader said he'd been thinking about the same thing:

If you look at the tablet concepts everywhere, they reduce the concept exclusively to the body of the tablet. Then the designers place a screen with a more or less Photoshopped version of : a) Mac OSX or b) Iphone OSX. But there is a problem with that approach: the way the UI elements are placed over the screen.

For me the easiest way to grab the tablet is holding it with the two hands (six of your eleven photographs show that you seems to think the same way), so ... why not put the controls in the area that your thumbs can reach them effortlessly?. I've developed a UI concept that solves that problem.

And develop he has:

The chance that Apple will pull something just like this out if their collective hat tomorrow is very slim, but we can hope: for something that truly conquers the as-of-yet unsolved tablet UI problem; for something that truly changes the way we see UIs; for something that looks this good. —Thanks, Lex!





User: Unnamed  Source: Gizmodo
[22:00, 26.01.2010]

Apple, the iPhone Company [Apple]


Apple watchers can now see how truly huge the company's iPhone business has become, thanks to a new accounting method the company started using this past quarter.

In less than three years, the iPhone has grown to become Apple's biggest business—up from zero.

Specifically, during Apple's December quarter, the company reported $5.6 billion of iPhone-related revenue, up 90% year-over-year. That edged out the Mac business ($4.5 billion) and iPod business ($3.4 billion) for the second quarter in a row and the third time ever. It was the first time the iPhone has beat the Mac and iPod businesses by more than $1 billion each.

And this despite Apple missing Wall Street's expectations for iPhone sales, thanks to increased competition from Google Android and other smartphones.

Why the new visibility? During the quarter, Apple started taking advantage of new accounting rules that lets it report the vast majority of revenue from iPhones and Apple TV devices immediately. Previously, it had to spread the revenue over 24 months to account for free software updates it would offer those customers.





User: Unnamed  Source: Gizmodo
[21:58, 26.01.2010]

Nokia Wins First Strike Against Apple With Official ITC Investigation [Lawsuits]


In the adorable he said/she said that is the Nokia-Apple patent spat, the ITC has begun its official investigation of Apple. So what? The ITC has the power to ban the sale of Apple products in the US, that's what.

Nokia first sued Apple last October over 10 patent infringements in the iPhone, but didn't file with the ITC until late December. What's interesting about yesterday's move is that while the ITC has started investigating Apple, they haven't yet taken a similar measure against Nokia, despite Apple's similar complaints.

Where does this leave us? Well, while the ITC can ban the sale of iPhones in the US, there's no way Apple would ever let that happen. All the wrangling is ultimately over over which company is going to owe the other hundreds of millions of dollars. It's a process that'll take months to play out, but so far it looks like Apple's on the losing side of the ledger. [Reuters via Apple Insider]





User: Unnamed  Source: Gizmodo
[21:50, 26.01.2010]

Gadget Deals of the Day [Dealzmodo]


We are brimming with shiny gadget deals on today's Dealzmodo. Get your paws on a Core i3 Lenovo, a solid and rugged Nikon D3000, and check out today's Hobomodo offerings including some sweet Air Hockey action.



Top Deals:
15.6" Lenovo G550 Core i3 2.13GHz Laptop for $764 with free shipping (normally $849 - use coupon code USPDISPLAY).
Nikon D3000 DX-format Digital SLR Camera with 18-55mm DX VR Zoom Lens for $459 plus free shipping (normally $500).
Air Hockey (iPhone) for $0 (normally $1).

Computing and Peripherals:
Alienware Aurora Overclocked Core i7-920 Gaming Desktop for $1,499 with $12.95 shipping (normally $1,849)
Dell Studio XPS 8000 Core i7-860 for $949 with $12.95 shipping (normally $1,257)
Dell Vostro 220 Dual Core Desktop with 20" LCD for $389 (normally $606).
HP Pavilion Elite HPE-180t Core i7 Desktop for $1,089.99 plus free shipping (normally $1,400 - use coupon code SVP54664).
17.3" Toshiba Satellite L550-ST2744 Core i3 Laptop for $679 with free shipping (normally $779)
17.3" HP G71-340US 2.2GHZ Core 2 Duo Laptop for $580 with free shipping (normally $749).
17.3" Dell Studio 17 Core i7 Laptop for $1,099 with $12.95 shipping (normally $1,263)
15.6" Toshiba Satellite L500-ST2544 Intel Core i3 2.13GHz Laptop for $599.00 plus free shipping (normally $729).
15.6" HP dv6t Core i7 Laptop for $989.99 plus free shipping (normally $1,200 - use coupon code SVP54664).
15.6" ASUS P50 Laptop for $499.99 plus free shipping (normally $600).
15.6" Lenovo G550 Core i3 2.13GHz Laptop for $764 with free shipping (normally $849 - use coupon code USPDISPLAY).
15.6" Dell Inspiron 15z Laptop with Pentium Dual Core SU4100 1.3GHz and 1" thin for $649 plus shipping (normally $909).
15.6" Compaq Presario CQ61-410US Laptop for $379.99 plus free shipping (normally $429.99).
14" Toshiba Satellite M500 Core i3 Laptop for $699 plus free shipping (normally $791).
14" Dell Inspiron 1470 Laptop for $562.82 plus free shipping (normally $710).
14" Dell Latitude E5400 Laptop for $587.60 plus $25 shipping (normally $904 - use coupon code 4WR067SF2B54CB).
13.3" Dell Vostro 1320 Laptop with Core 2 Duo Processor 2.1GHz and WXGA LCD Display for $599 with free shipping (normally $834).
24" Dell ST2410 Widescreen LCD Monitor for $184.00 plus free shipping (normally $259).
23" Dell SP2309W Widescreen LCD Monitor with Webcam for $209.00 plus free shipping (normally $319).
2TB Hitachi Deskstar 7K2000 Hard Drive for $160 with free shipping (normally $185).
1TB Samsung EcoGreen F2 HD103SI Hard Drive for $70 with free shipping (normally $97).
Western Digital Elements 640GB Portable External Hard Drive for $89.99 plus free shipping (normally $129).
Samsung ML-2525W Monochrome Laser Printer w/ Wireless Networking for $99.99 plus free shipping (normally $149).
Logitech Z313 Speaker System for $27.49 plus free shipping (normally $42 - use this form).
Logitech Anywhere Mouse MX for $44.99 with free shipping (normally $59.99 - use this form)
Logitech Performance Mouse MX for $70.97 with free shipping (normally $84.31 - use this form)
ASUS RT-N10 802.11n Wireless Router for $21.49 with free shipping (normally $3.99 - use this form)
Lexmark Prevail Pro705 Small Office Wireless 4-in-1 Inkjet Color Printer for $115.99 plus free shipping (normally $159.52).
ENERMAX CP001-B Notebook Cooler for $14.99 plus free shipping (normally $34 - use this form).
AGAMA K-220 Wired Slim Keyboard for $14.99 plus free shipping (normally $29.99).
Clickfree Automatic Backup 160 GB USB 2.0 Portable External Hard Drive HD801 for $69.99 plus free shipping (normally $86.66).

Gaming:
Xbox 360 Holiday Bundle - Crackdown, Perfect Dark, Project Sylpheed + 2 Rechargeable Batteries for $29.99 plus free shipping (normally $59).
Army of Two: The 40th Day (PS3, Xbox 360) for $39.99 plus free shipping (normally $53).
Darksiders (Xbox 360) for $42.99 plus free shipping (normally $57).
Resident Evil 5 (PC) for $36.99 plus free shipping (normally $45.95).
Blazing Angels 2: Secret Missions (PS3) for $18.99 (normally $33.80).
Dragon Age: Origins for PS3 for $49 plus free shipping (normally $60).
Animal Crossing: City Folk (Wii) for $19.99 (normally $26.98).
Brunswick Pro Bowling (PSP) for $8.82 (normally $23.90).
Dancing With the Stars: We Dance! (Wii) for $15.32 (normally $19.82).
Resident Evil 5 (360) for $31.99 plus free shipping (normally $39.95).
God of War III: Ultimate Edition (PS3) for $89.99 plus free shipping (normally $100).
Rome: Total War Gold Edition (PC download) for $4.95 (normally $10).
1C Racing Megapack – 5 games (PC download) for $14.99 (normally $20).
Docomodake BOING! (DS) for $7.90 (normally $14.25).
Battle Fantasia (360) for $14.99 plus free shipping (normally $39).
MAG (PS3) for $53.99 plus free shipping (normally $62).
Ocean Commander (Wii) for $9.99 plus free shipping (normally $17.47).
Call of Duty: Modern Warfare 2 Hardened Edition (PS3) for $49.00 plus free shipping (normally $62.40).
Batman: Arkham Asylum Collector's Edition (360) for $59.99 plus free shipping (normally $84).
Jillian Michaels Fitness Ultimatum 2009 (Wii) for $19 plus free shipping (normally $29).
Guitar Hero 5 Bundle (PS3) + Guitar Hero Les Paul Wireless Guitar (PS3) for $79.99 plus free shipping (normally $100).
Army of Two: The 40th Day (360/PS3) for $39.99 plus free shipping (normally $57).
Street Fighter 4 (PC) for $19.99 plus free shipping (normally $31).

Home Entertainment:
52" Sony BRAVIA KDL52VE5 1080P Eco LCD HDTV + Sony BDP-N460 Blu-ray Player for $1490 with free shipping (normally $1690).
52" Samsung LN52B750 52in LCD HDTV (1080p, 240Hz) w/ Blu-Ray Player for $1699 plus free shipping (normally $1999 - use coupon code: LGV436).
52" Sharp AQUOS LC52D85U 1080p, 120Hz LCD HDTV for $1,079 with free shipping (normally $1245)
47" Toshiba 47ZV650U LCD HDTV (1080p, 120Hz) w/ Blu-Ray Player for $999.98 plus free shipping (normally $1199).
47" LG 47LH30 1080p LCD HDTV for $696 with free shipping (normally $788)
46" Sony Bravia KDL-46VE5 + Sony BDP-N460 Blu-ray Disc Player for $1049.98 plus free shipping (normally $1341).
42" Sharp LC42SB45UT 1080p LCD HDTV for $599 with free shipping (normally $679.99)
37" LG 37LH20 LCD HDTV (720p) for $399.99 plus free shipping (normally $599).
37" Vizio VA370M 1080p LCD HDTV for $459 plus free shipping (normally $629).
Panasonic VIERA TC-L32S1 32 inch LCD HDTV (1080p) for $379.20 plus free shipping (normally $499).
32" Sharp AQUOS LC-32LE700UN LED-Backlit LCD HDTV (1080p, 120Hz) for $699.99 plus free shipping (normally $799 - use coupon code: 3A825).
Western Digital WD TV Live Network Reader Hight Definition Media Player for $109 plus free shipping (normally $119).
Elite Screens VMAX100XWH2 100 inch Diagonal Electric Projection Screen for $249.99 (normally $299).
Onkyo HT-S5200 7.1-Channel Home Entertainment System with iPod Dock for $394.65 plus free shipping (normally $500 - use coupon code BONUSBUY).
G.I. Joe A Real American Hero: Complete Series Collectors Set [DVD] for $93.99 plus free shipping (normally $114).
Transformers: 25th Anniversary Matrix Of Leadership Edition Complete Series [DVD] for $86.99 plus free shipping (normally $108).
30 Rock - Season 3 (DVD) for $16.99 (normally $32).
Gossip Girl: Season 2 on DVD for $16.99 (normally $44).
Green Lantern: First Flight [Blu-ray] for $12.99 (normally $23).
Changeling (Blu-ray) for $11.49 (normally $20).
Heathers (Blu-ray) for $5.99 (normally $10).
Harold & Kumar Escape From Guantanamo Bay (Blu Ray) for $11.99 (normally $21.47).
The Perfect Storm (Blu Ray) for $7.99 (normally $16.04).
The Mummy: Tomb of the Dragon Emperor (Blu Ray) $11.49 (normally $20.62).
Batman Gotham Knight (Blu Ray) for $12.99 (normally $23.50).
Green Lantern: First Flight (Blu Ray) for $12.99 (normally $22.74).
The Aviator (Blu-ray) for $7.99 (normally $12.99)
Ocean's Eleven (Blu-ray) for $9.99 (normally $12.99)

Personal Portables and Peripherals:
Apple iPod shuffle 2GB for $49 plus free shipping (normally $55).
Nikon D3000 DX-format Digital SLR Camera with 18-55mm DX VR Zoom Lens for $459 plus free shipping (normally $500).
Samsung WEP870 Over-The-Ear-Stereo/Mono Bluetooth Headset for $18 plus free shipping (normally $40).
Polaroid PoGo Instant Mobile Printer for $30 plus shipping (normally $50).
Creative Zen MX 8GB Video MP3 Player for $59.99 plus free shipping (normally $84).
Kodak Zx1 Pocket Video Camera for $99 plus free shipping (normally $115).
Philips SJM3140/27 Docking Cradle for iPod for $9.99 plus free shipping (normally $31.45).
Miccus Solar-Powered Bluetooth Car Hands-free Speakerphone for $59.99 plus free shipping (normally $97).
V-Touch 8GB MP3/MP4 Player for $49.99 plus free shipping (normally $85).
Creative ZEN MX 8GB MP3 / MP4 Player for $59.99 plus free shipping (normally $103).
Sennheiser MX85 Sport Series II Twist to Fit Stereo For Sports for $32.55 plus free shipping (normally $53.40).
Garmin n

[21:10, 26.01.2010]

Pondering The Apple Tablet's Print Revolution [Apple]


The Apple tablet could change everything. That's what people are hoping for, revolution. But revolutions don't actually happen overnight, especially if you're talking about turning around an entire diseased, lumbering industry, like publishing.

The medium is the message, supposedly. The iPod was a flaming telegram to the music industry; the iPhone, a glowing billboard about the way we'd consume software. The Apple tablet? Possibly no less than the reinvention of the digital word. If you look very generally at the content that defined the device—or maybe vice versa—the iPod danced with music, the iPhone's slung to apps and, as we were first in reporting a few months ago, the tablet's bailiwick might very well be publishing.

Since then, the number of publishers—of newspapers, magazines and books—reported to be talking to Apple has exploded: NYT, Conde Nast, McGraw Hill, Oberlin, HarperCollins, the "six largest" trade publishers, and Time, among many others, are making noise about splaying their content on the tablet. A giant iPod not only for video, photos and music, but for words. That's what they're lining up to make ritual sacrifices for. Publishers want this, whatever it is.

I say "whatever it is," because, for all of the talk and pomp and demos, they haven't seen the Apple tablet. They don't know what it's like. They don't know how to develop for it. As Peter Kafka's reported, neither Conde Nast (publisher of Wired) nor Time will be ready to show anything for the tablet on Wednesday, much less a mindblowing reinvention of the magazine, because Apple's keeping them at arm's length. (Why? Secrecy, which matters far more than launch partners. All the leaks about the tablet have come out of third parties, like the goddamn publishers, so Apple's not telling them much more than they are the rest of us.)

The sole exception, that we know of, is the New York Times. The Gray Lady has a team of three developers embedded in Cupertino. This makes a certain kind of sense, given the content the tablet is framing, and which publisher is currently best suited to delivering that content in a new experience.

When it comes to experimenting with the display and digestion of the digital word, the NYT has aggressively been the most innovative major publication on the web: Just look at the incredible infographics, the recently launched NYT Skimmer and the NYT Reader. Logically, they're the print publication perhaps most able to realize the early potential of a device that's essentially a window for displaying content. And it doesn't hurt that Apple loves the NYT.

The tablet might just be a big iPhone, but the key word is "big." What defines the tablet in opposition to the iPhone is the screen size, less than any kind of steroidal shot to processing muscle. A 10-inch screen will hold 10 times the screen real estate of the iPhone's 3.5-inch display. That's room for ten fingers to touch, navigate and manipulate, not two. Real estate for full web pages, for content apps that are so much more than news repackaged for a pocket-sized screen. The ability to really "touch what you want to learn about" is an "inflection point for navigation," that is, the potential to truly "navigate serendipitously," as the NYT's media columnist David Carr put it to me.

Think of it as a more tangible version of the force that drives you from a Wikipedia page about gravity to one about the geological history of the planet Vulcan, touching and feeling your way through everything from a taxonomy for Star Wars fanboys to the Victoria's Secret catalog.

The Wikipedia example might be particularly apt, actually. If we use iPhone history as a guide, given that the tablet is likely to be an evolution of the iPhone software and interface, it's likely these publications will be content "apps" that will be islands unto themselves: So it might be easy to wander all over the NYT's island via the tips of your fingers, but not so easy to float off to the WSJ's abode. At least to start, we assume it'll much like iPhone apps. For all of the very whizzy Minority Report wannabe demos from Sports Illustrated, we don't know what the content apps are actually going to look like, or what they'll be able to do on the tablet. In particular, what is it they'll be able to do that they couldn't do on the web right now, given how powerful the web and web applications have become over the last couple of years? (Look at everything Google's doing, particularly in web apps.) The question, as NYU Journalism professor Mitch Stephens told me, is whether the tablet's capabilities can "actually get the Times and Conde Nast to think beyond print?"

If you think the newspaper and magazine industry is slow, the book industry is prehistoric. As whipped into a fervor as HarperCollins and McGraw Hill may be about jumping aboard the full color Apple tablet express to carry them into a new age of print with "ebooks enhanced with video, author interviews and social-networking applications," past the Amazon schooner, they take years to move. And they're likely in just as in the dark as everybody else.

There's also the macro issue that it just takes time for people to figure shit out. Think about the best, most polished iPhone apps today. Now try to remember the ones that launched a week after the App Store opened. It's a world of difference. New media, and how people use them, aren't figured out overnight. Or fade back to the internet circa 2006. Broadband wasn't exactly new then, but so much of the stuff we do now, all the time—YouTube, Twitter—wasn't around.

The apparent readiness to yoke the fortunes of the sickly publishing industry to Apple, and its tablet, oozing out of info scraps and whispers, like a publishing executive telling the NYT that, versus Amazon, "Apple has put an offer together that helps publishers and, by extension, authors," is deeply curious. The publishing industry wants the iPod of reading, but they've clearly forgotten the music industry's traumatic experience when they got theirs. Apple basically wrested control of legal digital music, and the music industry got far less than they wanted to make up for it. Hollywood, in turn, played their hand far differently, scattering bits of movies and TV shows across tons of services, so no one had any leverage, especially not Apple. (Hence, Apple's negotiations for a subscription TV service with Disney or CBS always seem delicate at best.) I don't know why Apple would be any more magnanimous with publishers than record labels, given the chance to be gatekeeper.

The gatekeeper matters, because it dictates the answer to publishing's current crisis: "How we gonna get paid?" The NYT is bringing back metering to its website; book publishers weep over the fact that Amazon has decided books are worth precisely $9.99. Publishers want to control their financial destiny. Apple wants to control every element of the experience on their devices. (Apparently, they'll get to.) I want to be able to read the NYT, WSJ, The New Yorker, Penthouse and Wired, in all of their dynamic, interactive, multitouch glory easily and cheaply. Ads might be the secret to making that possible. Ultra targeted, innovative ads designed just for the tablet. At least, in the future—Apple's acquisition of mobile ad firm Quattro, and its CEO's ascension to VP, have happened too recently to bear much fruit yet.

Point being, there's a lot of stuff publishers have to figure out, from the big stuff to the little stuff. Apple hasn't exactly sped up the process by giving them much to work with, either, but for one publisher that we know of—and maybe a couple we don't. The tablet might change the digital word the way the iPod changed digital music. But it'll take some time.

Thanks to Joel for that awesome render; original CC printing press image from JanGlas/Flickr





User: Unnamed  Source: Gizmodo
[21:06, 26.01.2010]

Sorely Needed Nexus One 3G Fix Coming "In the Next Week Or So" [Nexus One]


It may have taken a mob of angry customers and hundred of online support requests, but Google has finally come to terms with the Nexus One's glaring 3G reception problems. And they're going to fix it soon, probably!

Inconspicuously planted in a Nexus One Google forum thread, (is this really how you want to run customer support, guys?) a Google employee promises relief. The issue, as suspected, comes down to software, which explains both why the Nexus One can't hold a consistent 3G signal in a location where another T-Mobile handset can, and how a company as established as HTC could have released a phone that can't get signal (the answer: they didn't).

The fix should come OTA in the next week or so, pending further testing. So, Nexus O(w)ne(r)s: let us know if it starts showing up.

I wanted to post an update to the Nexus One Help Forum to let you know what we've been working on to help address the 3G issues some of you have been facing. I also wanted to thank you for being patient as we work to investigate the problem, an effort which has included our hardware partners.

Our engineers have uncovered specific cases for which a software fix should improve connectivity to 3G for some users. We are testing this fix now, initial results are positive, and if everything progresses as planned, we will provide an over-the-air software update to your phone in the next week or so. It may be, however, that users are experiencing problems as a result of being on the edge or outside of 3G coverage, which a product fix cannot address.

Thanks again for your patience and for your feedback, and we will continue to keep you informed.

[Google via Engadget]





User: Unnamed  Source: Gizmodo
[20:40, 26.01.2010]

The Mass Effect Experience [Review]


I'm 20 hours in to Mass Effect 2. And as I board a flight to check out the Apple tablet, I couldn't care less about Cupertino, OSs and multitouch. I just want to play this very special game more.

Don't read my addiction the wrong way—I'm not talking about mere lust for leveling up, the same tawdry RPG convention that's as self-destructive to its genre as it's considered essential. I'm not talking about +2 to strength heroin here (though, much of that is alive and well).

Mass Effect 2 is not mere role playing game. It's transcended to science fiction that you can play.

The Mass Effect games, for Xbox 360 and PC, offer the most realized sci fi universe—in design and character and story and sheer imagination—that I've seen since Star Wars/Trek, Blade Runner or any other fond movie memory I can recall. Developers at Bioware fused so many motifs so seamlessly (I've seen elements ranging from 2001 to Halo) that, while your character isn't the first to wear skin-tight plastic armor in space, playing he or she will certainly feel that way.

Mass Effect 2 is out today—you can read what I wrote about the first game here. As for the sequel, it solidifies the ME universe as every bit as incredible as its sci fi predecessors. But, maybe more importantly, it solidifies gaming's place in the advancement of narrative.

(Summary below, I wouldn't call its contents spoilers, but you may want to skip for 100% pure experience.)

You play Commander Shepherd, the same hero/heroine from the original ME. In fact, you can import that character customized to your exact specs (from facial shape to voice) from the first game. The experience is akin to meeting an old friend. It ends up, Shepherd died since the first game, but (in my case, her) body has been reconstructed by her former arch enemies who've gone honest...or have they?

Long story short, there's no time to decide because you have Universe to save. And I'll leave it at that.

Of course, the fast-paced third-person combat along the way is wonderful—much improved form the original Mass Effect, you can easily order two troops to separate places to cover, assign them both a special attack (maybe one lifts your enemies into the air while another shoots cryogenic rounds) and then, cloak yourself before moving out of cover to snipe the main boss in the face—all with a few smooth button presses. But Mass Effect 2 is so much more than clever realtime strategic arcade combat.

Maybe the most telling point is that I listen to every conversation in the game to its entirety—I'm talking topics like the history of an alien religion—as opposed to fast forwarding through dialog whenever I can to get back into fights. I want to know what the characters think because that's as much of the game, of the story, as scoring new biotic powers or the ability to hack enemy robots.

Of the first Mass Effect, I wrote this:

Sensing such a connection with the protagonist is invigorating feeling. It means that I suddenly don't mind exploring side missions, learning about made up extinct civilization or memorizing those classically horrid alien names that sci fi fans have had to suffer their way through since the beginning of time. And those times when the choice finally is real-when I can decide whether or not to eradicate or salvage a colony-I weigh the consequences in a more substantial way than just wondering which response will make me more spacebucks. I care about...I kid you not...the fate of the galaxy.

In Mass Effect 2, that's only more true because I've had the pleasure of growing with the series over an extended narrative arc. If you have an Xbox 360 or PC, I'd strongly recommend the experience. And even if you have no interest in sci fi , it's one hell of a third person shooter.

Generally, we leave game reviews to Kotaku. And don't worry, we plan on continuing that trend. Read what they wrote about Mass Effect 2 here.





User: Unnamed  Source: Gizmodo
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